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I left for Singapore from Sydney this week, en route for Artwork SG. A lot of the Australian airport is now an unlimited shopping center for luxurious items, from Balenciaga to Rolex: large temples of consumption, all brightly lit, shiny and glitzy.
However probably the most egregious (to my thoughts) show was that of Louis Vuitton (LV). Plastered throughout all of its home windows was the most recent collaboration between the luxury-goods behemoth and the 93-year-old, Japanese artist Yayoi Kusama.
A tragic-looking, egg-yolk yellow model was standing with a background of black spots amid brightly reflecting silver spheres. She was clad in black trousers, a white t-shirt and the inevitable purse slung round her neck. The collaboration has been rolled out in LV outlets all through the world with related shows in several colors, and gives 400 objects, from trainers (groan) to sun shades. And each the fabric and the shows are hideous: a dizzying blanket bomb of dots, dots and extra dots in purple, white and silver throughout each conceivable assist.
At Artwork SG, neugerriemschneider was exhibiting an enormous portrait, Yayoi Kusama (2022) by the German artist Thomas Bayrle, priced between €100,000 and €300,000, which was on maintain on the time of writing. There have been a few Infinity Web work accessible on secondary market stands: a smallish, purple one at Sundaram Tagore, priced at $840,000, and two bigger ones at David Zwirner. I additionally noticed one elegantly-dressed honest goer sporting what regarded very like one among her (or fairly LV’s) purple and white baggage.
Exterior the honest, Kusama/LV posters have been all over the place, together with her trademark pumpkin illustrating the collaboration. To not be outdone, Opera Gallery has additionally plastered the city-state with Kusama promoting for its present of secondary market works, together with the French-American sculptor Niki de Saint Phalle.
How actively concerned is Kusama in any of those, erm, works? She doesn’t appear to have made any remark herself on the collaboration. There isn’t any doubt that the LV-Kusama hook-up has massively contributed to her worldwide fame, and whereas her early work was massively spectacular and ground-breaking, the most recent works are only a drained reiteration of all that has gone earlier than.
“Everyone seems to be simply ready for her to die,” mentioned one artwork supplier at Artwork SG, cynically. The cynicism ought to be directed not at this commentator—there have been loads of unfavorable feedback on the honest concerning the collaboration—however on the manner Kusama has been became a world luxury-goods model. Different artists have exploited their creativity to supply market-friendly tchotchkes (Damien Hirst springs to thoughts, amongst others) however in these circumstances market exploitation is an integral a part of their apply. In Kusama’s case, I ponder who precisely is signing on the (polka) dotted line—and the way conscious she is of every little thing that’s being offered in her title in the present day?
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