The Portuguese artist Joana Vasconcelos has unveiled her newest monumental set up Tree of Life (Arbre de Vie) (2023), towering 13m excessive within the deconsecrated Gothic chapel of the Château de Vincennes in Paris. Created throughout the Covid-19 lockdowns in 2020-21, the work attracts inspiration from the Greek mythological determine of Daphne, who transforms herself right into a laurel tree to flee the amorous pursuit of the god Apollo.
Talking on the inauguration of the site-specific sculpture in late April, Vasconcelos mentioned the work’s feminist message, its painstaking creation throughout the pandemic and her personal place as one of many few feminine artists working at monumental scale within the public realm.
Vasconcelos first conceived the thought after seeing Gian Lorenzo Bernini’s Seventeenth-century sculpture Apollo and Daphne within the Galleria Borghese in Rome in 2016. “The truth that [Daphne] decides to not marry Apollo, and she or he’d somewhat be become a tree than to marry him speaks of the desire to go in opposition to the principles and institution concepts like marriage,” she says. “It is a fable of independence and a fable of self-determination and I believe that is crucial.”
Joana Vasconcelos and Tree of Life (2023) © Didier Plowy for CMN
Tree of Life is roofed in 110,000 hand-stitched and embroidered cloth leaves, fungi, mosses and lichens, stumps and branches, all created by the artist’s group in lockdown out of supplies that have been already within the studio.
“We could not spend a lot cash; we knew what was occurring and had no concept what the world would convey us after [lockdown]. So I stated, ‘let’s recycle’,” Vasconcelos recollects. “We used all the material we had, and we began with the leaves.”
The method of recycling additionally speaks to the worth of local weather consciousness, a theme which the artist sees echoed within the apocalyptic imagery of the chapel’s stained-glass home windows.
The work was initially commissioned by France’s Centre des Monuments Nationaux (CMN) as a part of the Saison France-Portugal 2022 programme of cultural collaborations between the 2 international locations. A structural problem found throughout the set up of the sculpture delayed its inauguration for a number of months. Tree of Life will stay on view on the Sainte-Chapelle till 3 September earlier than transferring to Lisbon; there are additional plans to put in iterations of the work in places world wide.
Vasconcelos has created many large-scale public sculptures, and is getting ready one other formidable fee for Waddesdon Manor in Buckinghamshire this summer time, a 12m-high ceramic pavilion known as Marriage ceremony Cake. Nonetheless, the sphere of monumental sculpture stays a person’s world, she tells The Artwork Newspaper.
“There will not be many people [women sculptors] and now we have now misplaced Phyllida Barlow who was an incredible,” Vasconcelos says. “You need to have all these relationships with architects, engineers and development corporations, so it is a very male world and it isn’t straightforward for a lady to thrive. I’m honoured that I’ve that privilege however on the identical time it isn’t straightforward.”
• Arbre de Vie by Joana Vasconcelos, Château de Vincennes, Paris, till 3 September
