In addition to having a standard founding determine in Abraham, the three monotheist religions of Judaism, Christianity and Islam all share a deep veneration of the written phrase. The Torah, the Bible and the Quran will not be solely non secular texts however are among the many best achievements of poetry and literature and have for millennia impressed the best artworks, calligraphy and craftsmanship.
The exhibition Letters of Mild at Louvre Abu Dhabi brings collectively a few of the oldest and most essential manuscripts from the three faiths, shining a light-weight not simply on their aesthetic magnificence, but in addition the shared traditions and histories.
“That is the primary time that so many holy books and valuable illuminated manuscripts shall be gathered and exhibited on this area of the world,” says one of many present’s curators, Laurent Héricher, head of the Oriental manuscripts division on the Bibliothèque nationale de France. “It is a focus of sacredness, of holiness.”

A folio from the Blue Quran, from the gathering of the Louvre Abu Dhabi (late Eighth-Tenth century) © Division of Tradition and Tourism—Abu Dhabi / Photograph APF
The reveals vary from the traditional to the space-age. A number of the most fun loans within the present are fragments of the first century Lifeless Sea Scrolls—the earliest recognized manuscripts of the Hebrew bible. You may as well see the richly illuminated Souvigny Bible from twelfth century France and an ingenious 18th century Islamic prayer e-book with hexagonal pages that fold out like a flower.
More moderen is the world’s smallest bible to have travelled throughout house: the Nano Bible, which was taken to the Worldwide Area Station final yr. The dimensions of a grain of sugar, it comprises 1.2 million letters inscribed with nanotechnology.
A spotlight from Louvre Abu Dhabi’s personal assortment is a folio from the Blue Quran. One of the vital historical copies of the Quran to outlive the current day, it dates from the ninth or Tenth century. The deep blue background symbolises the universe; the glittering gold letters the divine gentle unfold by the phrase of God. The writing is an early Arabic script kind: angular, very geometric and surprisingly fashionable.

Artworks on present embrace Giovanni Bellini’s Virgin and Baby (1480-85) from the Louvre Abu Dhabi’s assortment © Division of Tradition and Tourism—Abu Dhabi / Photograph Thierry Ollivier
The exhibition’s different curator is Souraya Noujaim, the director of the Islamic Arts division on the Louvre in Paris. “The exhibition in a method tells the story of the beginning of writing,” she says. “It tells the story of languages and the evolution of kinds from the scroll to the codex. It talks about translations, it talks about printing.” It reveals the affect of the holy writings on the mental lifetime of Europe, together with the primary Gutenberg bible to be proven within the Center East.
About 80% of the greater than 240 objects on show are manuscripts: they’re supplemented by artworks together with engravings by Rembrandt van Rijn, drawings by Marc Chagall and a portray of the Virgin and Baby (circa 1480-50) by Giovanni Bellini. The exhibition is closed by meditative art work by Muhannad Shono, titled The Unseen. Threads of sunshine evoke a black gap, “a metaphorical illustration of the mysterious and incomprehensible facets of existence”.

The exhibition concludes with Muhannad Shono’s The Unseen (2023).
© Division of Tradition and Tourism – Abu Dhabi / Photograph by Siddharth Siva
In a earlier exhibition on the Bibliothèque nationale de France, the three religions have been handled individually. At Louvre Abu Dhabi, in accord with the museum’s aim of exhibiting the interconnections between cultures, they’re proven collectively.
“So we see that these traditions have so much in widespread,” says Héricher. “It’s like being at dwelling: your neighbours, however you have by no means actually talked to them. However as soon as they invite you for espresso and tea and you then begin asking questions on their lives, about their traditions, about their tradition [you find what connects you].”
The director of Louvre Abu Dhabi, Manuel Rabaté, sums it up: “This exhibition not solely displays the United Arab Emirates’ dedication to open-mindedness, tolerance and respect, but in addition reinforces our unwavering dedication to fostering open hearts, open eyes, and open minds, forging connections that transcend time, place and geography.”
- Letters of Mild, Louvre Abu Dhabi, 13 September-14 January 2024