Expo Chicago’s first outing below Frieze attracts bustling crowds and engaged consumers

Wrapping up its VIP preview on Thursday (11 April), the eleventh annual Expo Chicago notched a primary day similar to its final below unbiased possession—a promising signal of enterprise as standard for the honest, which was acquired by London-based artwork conglomerate Frieze final July.

This 12 months’s version options 170 galleries, representing 75 cities in 29 international locations—just like final 12 months’s, and roughly the utmost stall capability attainable in Navy Pier’s Competition Corridor, Expo’s residence since its transfer from downtown’s Merchandise Mart.

In keeping with a next-day report supplied by a spokesperson for Expo, hometown exhibitor McCormick Gallery and New York-, Singapore- and London-based Sundaram Tagore netted the VIP preview’s greatest gross sales, promoting the late Mary Lee Abbott’s 1952 portray Imrie for $525,000 and a piece by painter Hiroshi Senju for $385,000, respectively. Different main gross sales included a Wolf Kahn canvas from Miles McEnery Gallery ($150,000), Chiharu Shiota’s Limitless Line from Gana Artwork ($121,000) and a big textile work by Marie Watt from Catharine Clark Gallery ($135,000).

In a current interview with The Artwork Newspaper, Frieze chief government Simon Fox expressed a dedication to retaining the “identities, histories and cultures” of Expo Chicago and New York’s Armory Present, each acquired by the conglomerate final 12 months. For Expo president and director Tony Karman, meaning protecting the give attention to Midwestern galleries and artists.

After we launched Expo Chicago in 2012, we needed to resume our place on the worldwide artwork honest calendar, as Chicago at all times had, and in addition do what Chicago does finest—and that’s collaborate with our establishments, our cultural group and amplify for the world what we’re doing,” he says.

Galleries from Chicago and the Midwest certainly claimed a number of the honest’s most coveted actual property. Chicago stalwarts Rhona Hoffman and Corbett vs. Dempsey maintained their central places on the Expo ground, proper subsequent to Brazilian artist Lucia Koch’s billboard-sized pictures centrepiece, 3X3 Pots (2024), introduced by Galeria Nara Roesler. Chicago- and Paris-based Mariane Ibrahim Gallery, returning to the exhibition after a yearlong caesura to open its Mexico Metropolis storefront, occupied a primary perch close to the honest’s east entrance.

Pierre Lenhardt, Ibrahim’s accomplice in enterprise and life, says the consumers he has seen to date replicate Expo Chicago’s standard demographics: Chicagooan, Midwestern and American collectors, in that order, with worldwide consumers as a definite minority. He observed a extra targeted consumers’ market in comparison with the “frenzy” instantly following the Covid-19 shutdown and a relative stoop in 2023.

“It’s extra severe and targeted on amassing… [This year’s buyers] are those who didn’t disappear,” Lenhardt says. “It speaks to resilience—going past the flavour of the second.”

Repeat exhibitor Tandem Press, based mostly in Madison, Wisconsin, additionally reported eager first-day curiosity of their choices, which ranged from new works by Judy Pfaff and Suzanne Caporael to prints by Indigenous artist Jeffrey Gibson, who’s representing the USA at this 12 months’s Venice Biennale.

“It seems like the primary full 12 months again since Covid,” says Tandem Press director Paula Panczenko.“Since very first thing [Thursday] morning, there have been crowds of individuals coming by. There’s been no quiet occasions.”

A number of non-local galleries centred Chicago artists of their stands, like London gallerist Cynthia Corbett (exhibiting painter Ashley January) and Kinderhook, New York-based September (with a profession overview of Reginald Madison, a veteran of Chicago’s Black Arts Motion). Different stands benefitted from current native spotlights of their artists. ACA Galleries from New York noticed a number of first-day gross sales of work by Religion Ringgold, the topic of a just-closed retrospective on the Museum of Up to date Artwork. Copenhagen-based Gether Up to date has a solo stand of aerated concrete works by Danish sculptor Sif Itona Westerberg, whose exhibition at Chicago’s Driehaus Museum culminates this weekend.

In considered one of Frieze’s most palpable modifications to the honest up to now, stands within the Publicity sector—for galleries below 10 years previous—fashioned a thick band off the centre of the Competition Corridor quite than being sprinkled round its periphery. Certainly one of them, Bahamian exhibitor Tern, offered out its presentation of works by Kachelle Knowles, whose hanging mixed-media portraits of Black males, rendered on brown paper, had been prominently displayed on the nook of two well-trafficked thoroughfares.

Inside Expo Chicago’s churning kaleidoscope, many works supply explorations of monuments and monumentality. Website-specific installations within the honest’s In Situ programme, participatory works and particular person stands all toyed with, or challenged, the place of artwork in codifying unassailable historic narratives. Paul Stephen Benjamin’s Black Flag (2024)—a large, black-on-black replica of an American flag slouching on a too-short pole and sacrilegiously pooling on the bottom—current by New York gallery Efraín López, greets guests on the corridor’s west entrance. Because the preview went on, unwitting guests tromped throughout it, their pale footprints set in aid.

Additional inside, Colombian artist Iván Argote’s Bust (2021) references an earlier intervention by the artist in Bogotá, during which he lined a statue of Francisco de Orellana, a conquistador and “discoverer” of the Amazon, with mirrors. Cuban artist Ariel Cabrera—represented by Havana- and Madrid-based gallery El Apartamento, in its sophomore Expo exhibiting—additionally mined his nation’s colonial historical past in a collection of oil work depicting marble statues and Nineteenth-century army figures alongside fashionable figures.

A number of miles away from Navy Pier, down Michigan Avenue, the Colorado-based non-profit Black Dice Nomadic Artwork Museum is presenting Chicago-based artist Brendan Fernandes’s New Monuments | Chicago (2024). For the challenge, Fernandes has sheathed a statue of basic John Alexander Logan—who, previous to his service within the US Civil Battle, spearheaded state-wide laws barring African People from settling in Illinois—in scaffolding and mirrors. At associated assortment bins at Expo, Fernandes invitations attendees to jot responses to the immediate, “How can we grow to be the monument?”

Since its begin as Artwork Chicago in 1980, Expo Chicago has grow to be an area monument of its personal. To the aid of long-time attendees, nevertheless, Frieze’s interventions to date seem minimal, even—tentatively—constructive.

“A lot of what I do, and did, hasn’t modified in any respect,” Karman says of planning this 12 months’s honest. “What has modified positively is the chance to be part of a wider workforce that’s deeply dedicated to the service of the galleries and the artists that they signify, and that may additional broaden our attain.”

• Expo Chicago, till 14 April, Navy Pier, Chicago