Flora Yukhnovich, painter reinterpreting Outdated Grasp imagery, joins Hauser & Wirth

Flora Yukhnovich, a British artist in her early 30s identified for fluid canvases that draw from the pastel surroundings of Rococo and Baroque work, has joined international mega-gallery Hauser & Wirth. The gallery will signify her in collaboration with Victoria Miro, with whom Yukhnovich first had a solo present in 2020. Her debut with Hauser & Wirth will likely be a solo exhibition at one of many gallery’s Los Angeles areas in 2024.

“Flora is an artist with a outstanding artistic imaginative and prescient who’s defining her personal language of portray to conjure a compelling universe,” Iwan Wirth, the gallery’s president, stated in a press release. “There may be an unmistakable power and power to her work. She mines artwork historical past whereas making use of conceptual rigour in contemplating a broad sweep of cultural references from 18th-century portray to the present day.”

The Norwich-born, London-based painter studied portraiture on the Heatherley College of High quality Artwork and, in 2017, earned her MA from the Metropolis & Guilds of London Artwork College. She had her first solo reveals at Brocket Gallery and Parafin in London. Her work marries a really up to date curiosity within the boundaries between abstraction and figuration, in addition to a fascination with the tactility of portray, with a scholarly devotion to the historical past of portray.

“To me, there’s something corporeal about paint and I’m all in favour of the way in which a painterly gesture can discuss concerning the bodily expertise of contact in a visceral means, breaking down the gap between the viewer and work,” Yukhnovich has stated.

In a short time after her first solo exhibitions, her work began to look on the secondary market, the place it routinely fetched sums many multiples bigger than public sale homes’ estimates. In October 2021, as an illustration, Sotheby’s provided her 2020 portray I am going to Have What She’s Having throughout its up to date artwork night sale in London, with an estimate of £60,000 to £80,000. After a flurry of bids from Asia and the US, it offered for £2.5m (together with charges)—greater than 30 occasions the excessive estimate.

Main market costs have risen at a considerably extra measured tempo, however on the secondary market her giant canvases constantly command seven-figure sums. At Frieze London final yr, Victoria Miro offered her 2019 portray Fantasia for $2m after a collector had offered it again to the gallery. “If it’s secondary, it needs to be in that ball park,” Glenn Scott-Wright, a parter and director on the gallery, stated on the time.

Yukhnovich’s work that originally caught the artwork market’s consideration drew inspiration from works by Rococo painters like François Boucher, Antoine Watt and Jean-Honoré Fragonard. Newer works function a considerably darker palette and draw inspiration from Dutch nonetheless lifes by the likes of Ambrosius Bosschaert, Clara Peeters and Rachel Ruysch. In new works that can go on view on the Ashmolean Museum in Oxford subsequent month, Yukhnovich turns the wealthy symbolism of the nonetheless life style right into a vessel for reflections concerning the feminine physique, sexuality and copy, whereas additionally referencing representations of girls in horror movies.

“Yukhnovich’s fleshy, visceral and allengulfing portray language might be interpreted in relation to an untamed aspect of girls, which horror movies function in extremely aestheticised and exaggerated type,” Lena Fritsch, a curator of contemporary and up to date artwork on the Ashmolean, has written. “Above all, nonetheless, these work convey Yukhnovich’s sturdy love for the medium of paint and the artistic strategy of portray.”