Adam Weinberg will step down because the director of the Whitney Museum of American Artwork when his present contract ends on 31 October, marking the tip of a transformative 20-year tenure on the helm of one of the crucial closely-watched artwork museums in america. He can be changed by Scott Rothkopf, who presently serves because the museum’s chief deputy director and chief curator.
Weinberg’s directorship has been one of the crucial transformative within the Whitney’s historical past, together with the development of and relocation to its Renzo Piano-designed constructing in Manhattan’s Meatpacking District in 2015, and vacating its longtime Marcel Breuer-designed constructing on the Higher East Facet. That transfer to a a lot bigger and tourist-friendly web site on the foot of the elevated Excessive Line park has helped the museum broaden its viewers from 400,000 guests to 1.2 million in 2019. Beneath Weinberg’s management, the museum additionally elevated its endowment tenfold (from $40m to $400m) and greater than doubled its workers (from 200 to greater than 400).
Weinberg, who took the helm on the Whitney in 2003 after earlier stints because the museum’s everlasting assortment curator and senior curator, has additionally overseen the museum’s growth past the strict confines of its footprint. Off-site tasks he has helped orchestrate embrace the creation of David Hammons’s everlasting public set up Day’s Finish (2014-21) within the Hudson River simply throughout the highway from the museum, and the acquisition of Roy Lichtenstein’s former studio a number of blocks south, which is able to quickly home the museum’s highly-regarded Unbiased Research Program.
“It has been the best pleasure and privilege of my life to steer the Whitney for all these years, working with its deeply dedicated and caring trustees, its excellent and mission-driven workers, and the inspiring and devoted neighborhood of artists, in order that we might serve the individuals of New York and the world of up to date artwork and concepts,” Weinberg mentioned in a press release. “Whilst I now step apart to tackle new alternatives within the cultural neighborhood, as everybody is aware of, my coronary heart will all the time be with the Whitney.” Formally, Weinberg will grow to be the museum’s director emeritus and an honorary trustee.
His tenure was not all the time a clean one. The method of securing a brand new house for the museum went by way of many iterations, with plans to broaden its Higher East Facet footprint assembly agency opposition (and lawsuits) from neighbours. Tasks inside the museum additionally incessantly sparked scandals throughout Weinberg’s tenure, most notably a string of controversial iterations of the museum’s signature exhibition, the Whitney Biennial. The present’s 2017 version, its first within the new constructing, was engulfed in debate over Dana Schutz’s portray based mostly on historic photographs of Emmett Until, a Black teen who was lynched in 1955—extensively revealed pictures of his brutalised physique helped spur the civil rights motion. The biennial’s subsequent version grew to become often known as the “tear fuel biennial” amid months of protests organised by activists from Decolonize This Place and different teams calling for the elimination from the museum’s board of Warren Kanders, the proprietor of an organization referred to as Safariland that manufactures tear fuel and different army and regulation enforcement gear. After a number of artists featured in that yr’s biennial threatened to take away their work from the exhibition, Kanders resigned from the board.
“All of those controversies present that we’re engaged with our time, that we’re related, that we’re a part of the tradition, that we’re not sitting again,” Weinberg informed The New York Instances, reflecting on the string of scandals throughout his tenure.
Earlier this week, the museum’s administration and the union that represents round 200 of its workers concluded a 16-month negotiation over the union’s first contract—a course of that noticed unionised staff repeatedly picket within the streets and leaflet VIP occasions.
Rothkopf has risen rapidly since becoming a member of the Whitney as a curator in 2009, turning into an related director of programmes in 2012 and chief curator in 2015, earlier than including the senior deputy director title in 2018. Throughout that point he has curated or co-curated most of the museum’s most high-profile solo exhibition dedicated to modern artists, together with the Jasper Johns retrospective (2021-22), surveys of Laura Owens (2017) and Glenn Ligon (2011), and the blockbuster 2014 Jeff Koons retrospective that served because the Whitney’s swan music within the Breuer constructing (which has since been renovated and leased to the Metropolitan Museum and the Frick Assortment).
“The deftness and power Scott has demonstrated over this time in his involvement with each side of the Museum’s actions, mixed along with his extensively admired curatorial experience, make him the most effective conceivable selection to steer the Whitney into its future,” Whitney board chairman Richard M. DeMartini, president Fern Kaye Tessler and govt committee chairman Robert Hurst mentioned in a joint assertion. “We’re terribly lucky to have the ability to promote from inside the Whitney.”
Rothkopf echoed that sentiment in feedback to the Instances. “One of many nice issues about an inside succession like that is we will proceed the work we’ve been doing with fairness and inclusion—excited about our neighborhood and the town,” he mentioned. “We have now an amazing curatorial workforce and most of them I’ve employed, so it’s not like somebody who arrives and says, ‘How do I alter this? How do I make this my very own?’”
The generational shift in Whitney leaders from 69-year-old Weinberg to Rothkopf, 46, comes as an older set of New York museum administrators are poised to depart their posts. Longtime Solomon R. Guggenheim Basis director Richard Armstrong, 74, introduced final summer season that he would retire. In keeping with the Instances, the Museum of Fashionable Artwork’s 68-year-old director, Glenn Lowry, has a contract set to run out in 2025.
Regardless of requires the museum sector to prioritise range not solely within the works displayed in galleries however within the hiring and promotion of curators who determine what can be proven within the galleries, the sphere stays disproportionately white at its highest ranges. Individuals of color make up simply 20% of management and conservation workers at US artwork museums, based on the Mellon Basis’s most up-to-date “Artwork Museum Workers Demographic Survey”.
