This month, a landmark if quirky mission billed as “the world’s first artwork amusement park” might be resurrected on the sting of downtown Los Angeles. In the summertime of 1987, Luna Luna was in-built a park in Hamburg, Germany, that includes an astonishing array of celebrated artists creating the signage, rides and pavilions—amongst them Jean-Michel Basquiat, Sonia Delaunay, Keith Haring, David Hockney, Roy Lichtenstein, Joseph Beuys and Rebecca Horn. It drew greater than 240,000 guests and garnered worldwide press protection. Then it misplaced its funding, folded and disappeared.
Via a lot of twists and turns, the amusement park will now return as Luna Luna: Forgotten Fantasy, with a facelift and a few added points of interest. Sadly, guests will be unable to journey a lot of the historic and fragile rides.

Aerial view of Luna Luna in Moorweide park, Hamburg, Germany, 1987 Photograph: © Sabina Sarnitz, courtesy Luna Luna
“Luna Luna is so outstanding inside artwork historical past, not simply due to how well-known the artists have been,” says Lumi Tan, the brand new amusement park’s curatorial director, “however what the mission represented: the breaking down of limitations between artwork actions, disciplines and generations; a very profitable skill to make the avant-garde accessible and the prescient need to immerse an viewers fully in a sensorial expertise.” (With present appetites for immersive experiences, updating such a mission will need to have proved a sexy business endeavour as properly.)
The unique Luna Luna was the brainchild of André Heller, an Austrian artist and actor turned impresario, who managed to influence round 30 artists to signal on to a well-liked type of public leisure, the amusement park. Amongst them have been a number of musicians, comparable to Miles Davis and Philip Glass, who granted use of their works. To underwrite the mission, Heller obtained about $350,000 from the German journal Neue Revue, and travelled to seek out and courtroom his artists. Fortunately, he had a eager eye for these whose work would stand up to the take a look at of time. There have been artists who have been already established, like Salvador Dalí, and others whose stars have been on the rise—Kenny Scharf, for instance.

In-progress meeting of Kenny Scharf’s painted chair-swing journey on the Luna Luna warehouse, Los Angeles Photograph: Courtesy Luna Luna
As Heller himself admits in a ebook that accompanied his mission, it was a miracle he acquired the artists to take part—and for much less cash than can be anticipated. Scharf tells The Artwork Newspaper that the $10,000 charge was low, however “we have been instructed it will journey to all these different locations, and find yourself in New York by the United Nations”. Whereas some artists despatched in designs that have been executed in absentia, Scharf made his approach to VIenna, the place he created his work. “I spent a month in a chilly warehouse,” says Scharf, who made a sequence of geometric characters that lined a walkway in addition to a chair-swing journey festooned with vibrant panels and different whimsical decorations.
Finally, Luna Luna was arrange in a park in Hamburg, and Scharf recollects how thrilling it was to see, although it rained all through the opening—“an enormous muddy mess”, he says. Extra unlucky nonetheless was that Heller misplaced his funding regardless of excessive attendance figures, and on the finish of the summer time, the whole lot was packed up and put into storage. In 2007, the whole lot ended up in a warehouse in rural Texas. In early 2022, DreamCrew, an leisure enterprise based by the Canadian rap famous person Drake and producer Adel “Future” Nur, bought the entire equipment and kaboodle, and moved it to Los Angeles, the place it has been present process restoration. (The estimated price of the mission to date, together with buy worth, is $100m.)

Performers in entrance of Sonia Delaunay’s entrance archway and Luna Luna signal, Hamburg, Germany, 1987 Photograph: © Sabina Sarnitz, courtesy Luna Luna
Luna Luna: Forgotten Fantasy might be situated indoors—inside two warehouses in a 60,000 sq. ft complicated. About half of the 30 or so authentic installations might be on show, together with Hockney’s enchanted forest, Dalí’s geodesic dome mirrored on the within, Scharf’s chair-swing journey and Delaunay’s painterly abstractions on the entry archway. (As Heller explains in his ebook, he had met with and gotten Delaunay’s approval earlier than she died in 1979.) Most of those are for viewing solely, attributable to their fragility. To not fear, nonetheless—there might be rides which one can take for a spin. There may even be performers circulating all through, and naturally, meals and souvenirs for buy.
“Tasks that I’ve finished, that artists do—you place the whole lot into it,” Scharf says. “You are devastated once they die. After which, in case you keep alive lengthy sufficient, generally they won’t be useless in any case.”