For Visitors, Nicolas Bourriaud’s ground-breaking 1996 exhibition of relational aesthetics, Jason Rhoades (1965-2006) purchased a used Chevrolet Caprice and had the CAPC Musée d’Artwork Contemporain de Bordeaux cowl 49% of its price. “The automotive established Jason as this provocateur,” says Ingrid Schaffner, Hauser & Wirth’s curatorial senior director. Rhoades photographed the Caprice throughout Los Angeles, merging the readymade with the automotive spirit of Southern California, then despatched the images to Bordeaux however saved the automotive. Years later, Rhoades satisfied a collector that the Caprice had appreciated in worth, and he traded it for a Ferrari 328 GTS. “How he finally ends up with each vehicles is one other story,” says Schaffner.
These autos are central ele-ments of Rhoades’s Automobile Tasks, a sequence of conceptual works the artist made throughout his celebrated however tragically transient profession. Each, together with Rhoades’s Chevy Impala and Ligier microcar, have additionally been taken out of storage for DRIVE, a brand new year-long exhibition at Hauser & Wirth in downtown Los Angeles (till 14 January 2025). Parked within the gallery, the autos seem alongside the artist’s sculptures, movies and ephemera, in addition to public programming that features performances and movies. Parts of the exhibition will likely be constantly modified out with quarterly themes: The Parking Area, The Pit, The Racetrack and The Storage.
Marking Schaffner’s curatorial debut on the gallery, DRIVE presents the vehicles as “a solid of characters, every with its personal historical past that we’re going to unpack over the course of the exhibition”, she says. To Rhoades, the automotive mirrored each a modernist imaginative and prescient of accelerating into the longer term and the American autonomy of the open highway. On each day commutes between his residence in Pasadena and studio in Inglewood, Rhoades considered the Caprice as an extension of the studio. He recast his Impala as a cell exhibition area, naming it the “Worldwide Museum Venture About Leaving and Arriving”. Rhoades imagined his vehicles accruing their very own mythologies earlier than finally settling down as sculpture. In his world-building follow, says Schaffner, “making sculpture and making tales had been entwined types of building”.
The exhibition types a portrait of Los Angeles, the place the automotive has impressed numerous artists. In a metropolis the place the automotive is commonly understood as an extension of the self, this exhibition additionally reads as a portrait of Rhoades, so traces of the artist stay in small particulars, together with cassette tapes in glove compartments and the Thomas Information within the backseat.
