When the artist Nickzad Nodjoumi determined to flee Iran within the aftermath of the Islamic Revolution, he needed to transfer quick. A picture of one of many work featured in his 1980 solo exhibition on the Tehran Museum of Modern Artwork had appeared in a newspaper, accompanied by an article describing his work as “treasonous”. A pal suggested him to depart instantly. “I used to be out of the airport at 9 o’clock,” Nickzad says within the new HBO documentary A Revolution on Canvas. “At 12 o’clock, Saddam Hussein attacked the identical airport.” This was the start of the Iran-Iraq Warfare, which might final eight years and kill round 1 million folks. As Nickzad boarded a aircraft certain for the US, he left greater than 100 of his works behind on the museum on the mercy of Hezbollah. Many years later, he and his filmmaker daughter, Sara Nodjoumi, got down to discover out what occurred to the work—and get them again.
HBO describes A Revolution on Canvas as a “political thriller and verité portrait documentary”, and as a lot because the seek for the lacking work supplies construction to the movie, at its coronary heart it’s the story of a flawed man who regularly places his personal idealism earlier than all else. Directed by Nickzad’s daughter and her husband, Until Schauder (When God Sleeps, The Iran Job), the documentary attracts largely on interviews with curators, archival video, photographs of the revolution and, most significantly, footage of Nickzad’s prolonged household to color a portrait of the dissident painter as seen by those that had been speculated to be closest to him however who at all times misplaced out to the trigger.
Nickzad is nothing if not a severe revolutionary. Concerned within the many leftist protests of the Nineteen Sixties and 70s as a younger man, as a substitute of a reception after his marriage ceremony, he and his new spouse, the artist Nahid Hagigat, went to a protest—a celebration would have been a “bourgeois factor you’re not speculated to do”, he tells his daughter within the movie. On the time, Nickzad had a selected fervour for the pro-democracy motion that sought to depose the Shah of Iran, going as far as to depart his household behind in New York whereas he travelled to Tehran to hitch the road protests within the late Nineteen Seventies, calling his spouse and four-year-old daughter “each couple of months”. (“Did you miss me?” Sara asks throughout a sit-down together with her father years later. “No,” he solutions.) In a memorable scene in the direction of the tip of the documentary, Nickzad grins proudly as his grandkids sing a music they wrote in help of the 2022-23 Mahsa Amini protests. The second is notable as maybe the one time he smiles in the entire movie.
Nickzad was born in western Iran in 1942, and he met Nahid in artwork college. She moved to New York in 1968; he adopted a yr later. There, Nickzad turned concerned in seemingly each leftist protest motion—anti-war, Civil Rights, the Black Panthers—and notably the Iranian College students Affiliation in america. In 1974, Nickzad returned to Iran for an exhibition of his work, bringing a couple of dozen of his spouse’s etchings with him; the 2 artists offered all their work. The identical factor occurred the next yr. Each Nickzad and Nahid had been effectively on their strategy to success. However whereas in Iran, Nickzad was arrested by the key police and interrogated about his political activism within the US; the chairs utilized in these prolonged and arduous interrogations usually seem in his work. When he returned to New York, he and Nahid had been married—regardless of protests from her mother and father that their Jewish daughter get entangled with a Muslim man.
When Nickzad flew out to hitch leftist protesters in Tehran, Nahid moved with their daughter to Florida. He referred to as it “the tip of our marriage”. “I used to be at each protest,” Nickzad tells his daughter. “I used to be all over the place.” In the meantime, Nahid tells him: “I regarded for you within the information.” When the Shah left Iran and Ruhollah Khomeini arrived from exile in Paris, the postrevolutionary purge started—1000’s of non-Islamic protesters and revolutionaries had been arrested, and lots of had been killed. Nickzad was among the many detained and fortunate to get out alive. (“After that, did you be a part of extra protests?” Sara asks him. “In fact!” he solutions.)
The Tehran Museum of Modern Artwork, which Hezbollah noticed as an emblem of the Shah’s decadence (stuffed largely with works by Western artists), was one of many first locations taken over after his ouster. Nickzad’s exhibition, A Report on the Revolution, with its wry political commentary on energy basically and the hypocrisy of the newly shaped Islamic Republic particularly, was indicative of the form of anti-Islamist opinions Khomeini sought to quash. “All of his work was anti-Revolution,” Nahid says of her husband. In Nickzad’s personal estimation: “Khomeini was portrayed as an offended man, and every part else was blood and fury.”
The work had been taken down and rumoured to have been both destroyed or saved within the basement. Years later, Sara turned decided to search out out if they’re nonetheless round—and if she may return them to her father. She seeks assist from an nameless Iranian filmmaker (“It’s only a movie. You don’t need to danger your life,” the filmmaker warns), the museum’s former director and a number of other different folks on the bottom, making an attempt to get entry to the mysterious museum basement.
Sara was possible hoping that the seek for her father’s work would convey them nearer collectively. Nevertheless, like the newest Iranian protests, the scenario is left unresolved. Whether or not or not they discover the work and may convey them again, as a lot as this implies to Nickzad and Sara, slinks into the background as a secondary plot line—to the purpose that, by the tip of the movie, the viewer is left with a sense of indifference to this final result.
“We may have been a really pleased household, however Nickzad was at all times a revolutionary inside, and nothing on this world may have made him calm,” Nahid says, including that her personal creative profession suffered tremendously in consequence. “Ladies create, often males destroy.”
“If it wasn’t for me, she in all probability would have had a greater life,” Nickzad says of Nahid. When Sara asks her father if he has any recommendation for the younger Nahid, he solutions: “Don’t get married.” He doesn’t seem to note how a lot these phrases damage his solely youngster.
As Mao Zedong (an awesome affect on Nickzad) as soon as stated: “Ladies maintain up half the sky.” However the Chinese language chief’s collectivisation efforts tremendously diminished girls’s roles as people and as a substitute gave them the duty of serving as neighborhood caretakers. It appears Nickzad did the identical in his circle of relatives—touting the accomplishments of girls at giant, whereas on the identical time letting his wants trump these of his spouse and daughter. The hypocrisy of revolutionaries goes each methods.
- A Revolution on Canvas premieres on HBO on Tuesday 5 March at 9pm ET and is on the market to stream on Max
